The endless challenge of finding our tribe

Cliffside housing

Being an unknown writer has advantages, one of which for me is creative freedom. If you are an emerging artist or writer, maybe you know what I mean. Being unknown means our art is free to burble up or geyser forth as it will. We can gleefully pursue detours and plunge down rabbit holes without fear of judgment or pressure. We bestow our creativity upon the world with a naive joy, with no expectation that we will ever find an audience for our work.

Most of us would like to find an audience, don’t get me wrong. Recognition for our contribution is a human need. However, many of us will have to settle for the adulation of our friends and family. That’s been the case for me, more or less. Not all my friends and family have praised me without feeling compelled to fix my grammar. Still, I consider myself one of the lucky ones. Imagine how difficult it must be for the author or artist who has one successful book or one well-attended show. What then? Is this the beginning of a career? Or the end of something that never actually began?

I have lots of ideas. Ideas has never been the problem for me. As a child, I spattered reams of notebook paper with cheap Bic pens. I was a writing maniac. Who cares about plot or character development! The goal was to bring forth the stories in my head, like sewing the parachute as I’m jumping out of the plane. It was a compulsion.

Now, I’m old. I realize that if I want recognition for my work, I need to join the grown-up world of marketing and promotion. I’m embarrassed to admit, I hate marketing. I hate promotion. The idea of posting regularly to social media makes me want to live under a rock in the desert. The day my cell phone died was one of the happiest days in recent memory. It’s ironic that I got a graduate degree in marketing, as if more knowledge was the answer.

Knowledge is useful, but not sufficient. The compulsion to write is necessary, but not sufficient. The essential ingredient is a willingness to become visible. From there, willingness leads to action. When we take action, the universe has something to respond to. In other words, when we take action, consequences can occur.

I talked to an artist recently about a children’s book series she wanted to self-publish. She described her project and her goals. I thought it sounded great. Then she said, “I want to publish anonymously.”

We talked about writing under a pseudonym. Lots of writers choose pennames, it’s nothing new, we agreed. They publish through a traditional publisher and manage to keep their real names hidden, sometimes for years.

“How would it work if you are your own publisher?” I asked. “How would you maintain the separation between your publisher self and your anonymous writer self?”

We tried to imagine how it would work. “It might be hard to go on book tours or do bookstore signings,” I said.

“I could wear a wig and sunglasses,” she said.

“You could wear a paper bag over your head, like the unknown comic,” I laughed, getting a blank stare in return.

Even though I knew it would be virtually impossible to promote a book series anonymously without the support and deep pockets of a traditional publisher, I encouraged her to give it a try. We brainstormed for a while longer. When we hung up the video call, I don’t think either one of us was feeling optimistic.

As a marketer, I know selling anything—books, art, ideas, causes—is all about finding the right target audience and communicating to them a message that says I understand your problem and I have the solution. However, as an author, I hope she figures out a way that works. If I could earn money from selling my books without having to do the actual chore of marketing, I would.

Who is my tribe? People like me. Demographically, we are older, female, probably White, and middle income. Psychographically, we are looking for an escape into some happier, funnier, more colorful world where blood and guts and sex are left on the doorstep. A community of quirky characters, none of whom is truly a villain, all of whom are endearingly human. A land of low dread.

Where do we hang out, these older gals bent on escape from reality? In our caves, if I’m any example. We don’t tend to coalesce in groups much, at least not groups centered on cozy fantasy magical mystery novels. We might be serving in the PTA or in a Twelve Step program or as a union steward at our job. We probably don’t know each other. You might pass me in the grocery store, and I would not know you are a member of my tribe. You might have written a cozy fantasy novel too, and I would never know! Oh, the humanity.

How do I find you? How do you find me? Maybe I’ll see you perusing the sci-fi fantasy section at our local library or independent bookstore. Hey, it could happen. You could hand me your book (assuming it is there on the shelf). I could hand you mine (assuming the same thing). We would smile that special smile to say I see you. And then, having taken a quick reluctant breath of reality, we would dive back into our fantasy worlds.

You fail at (the writing) life

A month or so ago I had the bright idea to write and publish something every day on this website. You could consider them blogposts. WordPress does. I called them “stories,” although they are more like scenes. Musings. Upchuckings. Call them what you want, I don’t care. The point is, what I’ve learned (and what you probably already know) is that showing up to write daily is damn difficult. Even the unpolished drivel I’m posting. I can only guess how hard would be if I actually cared about plot, character, punctuation, and typos.

What was I thinking? I must have been out of my mind. I blithely made a commitment to publish something daily without really imagining what it was going to feel like to follow through. In fact, I thought I could keep it up for an entire year. My friend Christy used the term “ass in seat,” and I thought, I can do that. I have an ass. I have a seat, more or less, not a chair by most definitions, but definitely a place to put my ass. How hard can it be?

I am embarrassed.

I pride myself on not being a quitter. I’ve worked hard in the past twenty years to do what I say I’m going to do. It’s a matter of personal integrity. When I enrolled in graduate school, I wasn’t sure I could finish, but once I was committed (eight years of sunk costs scraping my brain daily), I knew failure was not an option. I put my head down and white-knuckled my way through to the phinish line. I wish now I hadn’t done it, but it’s done, and even though the university I attended no longer exists, I still earned that stupid degree.

It’s silly to be so self-obsessed. I know nobody else is keeping track. They are much too busy with their own lives to pay attention to my failures. I think if I were to break into two for a moment and pretend like I’m having a dissociative identity crisis, I would pat myself on the back and say “Well done, Carol, for showing up for the work.”

And I would say, “Well, thanks, Carol. I wish I’d done better.”

And then I would tell myself, “You can, and you will, if you keep practicing. Don’t forget your writer friends who keep their stories locked inside them because they are too afraid of making a fool of themselves by publishing something that isn’t ready.”

At that point, I would look askance at myself (is my hair really that gray?) and wonder if that was a passive aggressive way of telling me I’m making a fool of myself by publishing things that aren’t ready.

And my alter ego would hasten to reassure me: “No, no, it’s all about practice! You are practicing the writing life, every day. It’s not about quality, it’s about quantity.”

“Thanks, I think,” I would say and mope around for a bit.

It’s been an experience. No, let’s call it an experiment. I’m glad I tried it. I learned a few things about myself, mainly that writing is a one-day-at-a-time endeavor and tomorrow is out of my hands, no matter how minutely I plan my day. It’s okay to have goals but managing outcomes is beyond me.

All that aside, the truth is, I need to get back to my writing projects. I have the first draft of a book almost ready (my shameless attempt at earning money by telling other people how to earn money—hey, other people do it, why can’t I?) It’s a slogfest of all I’ve learned as a mentor. I hope this book will help many more artists figure out how to sell their art. As a somewhat unique weirdo squatting at the uncomfortable intersection of art and business, I think I can help. Coming soon to KDP in 2024, which is actually two days from now. Hoo boy.

The book that is burning a hole in my brain is the third book of my Seamier Side of Magic trilogy. I hope I can get it onto paper before I die. Frak needs to find her path, and Stan needs rescuing! I can’t write all that in one blogpost.

The writing life continues. What else is there?

Year end reflection on writing a story a day

My sister said
a poem can’t be a blogpost
I said ya wanna bet
watch me and I wrote
a poem and published it
as a blogpost

The thought of writing
another godawful story
makes me want to
puke although it could be
the blue corn tortilla chips
I ate for dinner

The new windows
keep out the yips of coyotes
and roars of muscle cars
They also keep in all the
noises and smells of
the other occupants
of the house

Digger on the railroad

Photo of a bridge

Somebody said there’s no other way to create except to work like a digger on a railroad, one bucket of contaminated dirt, microplastic gravel, aluminum fliptops, used condoms, and marrowless mouse bones at at time. I don’t know who said it, but I’m sure someone did, because in this modern age, there is nothing new under the relentless desert sun. What’s more, I don’t if that is true, that working like a digger on a railroad will produce anything useful (or anything at all, really), which in my case looks like what? Considering my bones are disintegrating as I age out of existence, I’m not sure what railroad digging would look like, but I think it looks like butt in seat, fingers on keyboard, brain stuttering to conjure words out of thin air. Is that my version of a railroad?

I could complain about the service on this railroad, but that would be premature, seeing as how I haven’t built it yet.